The 2019 RIXC Festival 2019 aims at complicating the pervasively employed notion of “green” by providing a cross-disciplinary platform for the discussions and artistic interventions exploring one of the most paradoxical and broadest topics of our times. The festival will feature the “Un/Green” exhibition opening that takes place in the Latvian National Museum of Art, and the 4th Open Fields conference which aims to ‘un-green greenness’, ‘eco-systemically’ reconnect ‘post-human postures’, and discover and unpack ‘Naturally Artificial Intelligences.’
‘Green’, symbolically associated with the ‘natural’ and employed to hyper-compensate for what humans have lost, needs to be addressed as the most anthropocentric of all colours, in its inherent ambiguity between alleged naturalness and artificiality. Are we in control of ‘green’? Despite its broadly positive connotations, ‘green’ incrementally serves the uncritical desire of fetishistic and techno-romantic naturalization in order to metaphorically hyper-compensate for indeed material systemic biopolitics consisting of the increasing technical manipulation and exploitation of living systems, ecologies, and the biosphere at large.
OF 2019: UN/GREEN, COM/POST/HUMAN, N/AI
The 4th Open Fields conference on Artistic Research, Science and Technologies and RIXC Art Science Festival 2019