Following years of digital experimentation, he deepens his studies on sound - through the texts of RM Schafer - and on romantic literature - an instrument useful to him to find connections between natural imagery and environmental recording - discovering a more naturalistic approach to fieldrecording and to the concept of soundscape, which will lead him to turn towards the analogical method, crumbling and disarticulating the soundscape itself, recording the everyday and its noises: those that nature offers. Mixers, distorters, tape recorders, tapes and walkman are the raw material of his live sets.

Record publications: Strati [2014]; "Lagoon Submerged", Green Field Recordings [2015]; "Terra d’ombra", Setola di Maiale [2017]. Collaborations: Fondazione Luciano Berio [Firenze], Setup Art Fair [Bologna]. Live set: "Ascolto osceno per navi", at the Meeting FKL 2018. Per chi suona il paesaggio, Palazzo Roncalli, Vigevano [2018]; "Solo nastri", at MACRO, Rome [2019].