"This is the realm of baroque spectacle as theatre of the world: once invited beyond the proscenium, and beyond the frame, the frame perceptually disintegrates embroiling the viewer in a series of baroque folds that present the possibility of a limitless scope of vision. The outside becomes inside and the inside out.

The baroque phenomenon of border-crossing is best expressed by Deleuze:

If the Baroque establishes a total art or a unity of the arts, it does so first of all in extension, each art tending to be prolonged and even to be prolonged into the next art, which exceeds the one before. We have remarked that the Baroque often confines painting to retables, but it does so because the painting exceeds its frame and is realized in polychrome marble sculpture; and sculpture goes beyond itself by being achieved in architecture; and in turn, architecture discovers a frame in a façade, but the frame itself becomes detached from the inside, and establishes relations with the surroundings.

We witness the prodigious development of a continuity in the arts, in breadth or in extension: an interlocking of frames of which each is exceeded by a matter that moves through it".

Angela Ndalianis