Almas N'Dali muralism 2.0
Videomapping
Duration: 10 min.
viernes, 08 marzo 2024 | 00:45 > 00:552024-03-09T00:45:00.000Z | Mapping Area
[Text available only in English] Almas N´Dali muralism 2.0, (N´Dali Souls from E Na, Mazateco expression that means Sould with/from good light) is an artwork made for the 85th anniversary of INAH (National Institution of Anthropology and History, Mexico). Antonio Isaac explores connections made between the arqueology heritage and new contemporary art expressions bringing symbolisms of the mesoamerican cultures with the mexican muralism movement improved with new media in the context of XXI century art expressions.
Richness of iconic species for mesoamerican cultures, dreams, the human mind and non-digital social networks are reflected around the artist's proposal on his thoughts about relationships with current society and the role of the human, as individual being, in the modern world filled with environments extremely noisy. Playing with the contrast of the desert, observing the sands as the complex system similar to the noises of the world.
Presented by:
A. Gallo Colors
Arturia
Richness of iconic species for mesoamerican cultures, dreams, the human mind and non-digital social networks are reflected around the artist's proposal on his thoughts about relationships with current society and the role of the human, as individual being, in the modern world filled with environments extremely noisy. Playing with the contrast of the desert, observing the sands as the complex system similar to the noises of the world.
Presented by:
A. Gallo Colors
Arturia
Author
Artista de complejidad, compositor de medios y cineasta con una gran pasión por la ciencia. Estudió piano, composición, programación, geometría cuántica, cinematografía, filosofía analítica y neuroestética.
Su trabajo se centra en la relación entre el arte, la ciencia y la naturaleza, enfatizando la experiencia estética de la percepción humana extendida. Mediante el uso de tecnologías avanzadas y nuevos medios propone experiencias inmersivas en las que el espectador forma parte de cada pieza, nombrada como resonador activo según el propio creador. Ha...