By abandoning the stage, digital art can come close to the public producing intimate and unexpected modalities of fruition. Video, sound, touch and movement become the new vocabulary of a language dedicated to creation of interactive games and perceptual experiences of meaning and image. Interactivity is the key to reading these works, works that investigate well beyond the boundaries of visual communication, in order to enable the viewer to interact with them, pushing the senses and confused perceptions of reality and fantasy.