A research on limits and potential of electronic music in relation to open narrative systems such as role-playing, live cinema, random poetry and abstract art, which investigates and raises questions about automation, reproducibility, artificial intelligence, error as a source of creative experimentation and sonic semiosis processes in the digital age.

Combining studies of sociology, ethno-musicology, philosophy and cultural anthropology, a survey path is traced for a critical approach to electronic music and its modalities of signification, to the potential offered by new technologies and the cognitive and social dynamics that determine the techniques of experimental narratives.

“The soundscape in which we are immersed is no longer constituted by the sounds of nature but by the residual sounds of the machine civilization. To reflect the changes, music cannot be reclined within pseudo-individualized genres, but must become music of crossing and non-identical, an investigation of the interzone between natural / artificial, deterministic / randomic, native / ethnographer, producer / consumer, roots / crossing, exploring its own limits to solve the dichotomies of the digital age. "

Topics:
Sonic semiosis. Jung, archetypes and oneiric narratives. Theodor Adorno, pseudo-individualization and dodecaphony.
Greimas and generative semiotics. The soundscape (origins of music and cultural construction of harmonic sound). Experimental Narrations and Randomistic Narrative Systems. Non-identical music. Artificial intelligence and authorship.