When Méliès got to know it, cinema was a young technology, still to be known. Their inventors, Lumière brothers, had already investigated its documentation capabilities, and they had already begun to set up some short entertainment sketches, but it was Méliès, fascinated by the technical potentialities of this tool, to play with this technology at the limits of its working logics: multiple exposition, editing, stop motion, multiplying himself on stage and animating the inanimate, up to the realization of the biggest of the Utopias for a man of the end of XIX century: Moon conquer.

The show would like to be a tribtue to Méliès cinema and to his relationship with technology, in which we like to see the same curiosity and the same strength of experimentation that move actual live performance movement.