Kesson is a new media artist and creative technologist whose practice investigates the unstable conditions through which computation, emergence and perception become entangled. A recurring question guides his research: how can form emerge from systems that remain open, unstable and alive?

Working with generative systems, artificial intelligence, real-time graphics and interactive media, he treats technology not simply as a tool, but as a material condition. Code, engines, neural networks, sensors and simulations become environments in which the boundaries between image, body, machine and data lose their stability.

At the centre of his research is the relationship between void, chaos and generation. His installations, audiovisual performances and digital works develop through process, time, error and interaction, allowing control and unpredictability to coexist. Rather than producing fixed images, he creates systems that behave, mutate, hallucinate and respond.

His work has been presented internationally, including at Ars Electronica, Romaeuropa Festival and the International Conference on Live Coding, as well as in Italy, the Netherlands, Japan, Denmark and the United States.